Abertis, with culture worldwide
23 September 2019
The Abertis Strategic Corporate Social Responsibility (CSR) Plan establishes the involvement of the Group in the communities where it carries out its business.
01
Director's Letter
02
Milestones 2018
03
Road Safety
04
Social Action
05
Environment - UNESCO Centre
06
Culture
07
Abertis Chairs
The collaboration of Abertis led to the exhibition “Russian Dada 1914-1924” at the Reina Sofía National Art Museum (Madrid) from 5th June to 22 November 2018.
The exhibition explores Russian avant-garde art through the perspective of the anti-art canons associated with the international Dada movement. The exhibition featured works by Russian artists such as Kazimir Malevich, Velimir Khlebnikov, Alexei Kruchenykh, Lissitsky – who triumphed in Berlin – or Sergei Sharshun and Ilia Zdanevich – who did the same in Paris. The selected works reveal the intentions of many artists to take part in projects of public unrest with connotations in close proximity to Marxism and to adopt rejection, irony, the absurd and chance as the basic principles underpinning their artistic manifestations
23 September 2019
The Abertis Strategic Corporate Social Responsibility (CSR) Plan establishes the involvement of the Group in the communities where it carries out its business.
23 September 2019
The exhibition “Miró: la experiencia de mirar” (Miró: the experience of looking)was held at the National Museum of Fine Arts in Buenos Aires (Argentina) from 25th November 2017 to 25th February 2018.
23 September 2019
In the previous summary we indicated that the artist Joan Miró maintained a close link with the avant-garde scene in Paris from his youth until a ripe old age. The exhibition sponsored by Abertis at the Grand Palais enabled the Catalan painter to return to the French capital.
23 September 2019
In February 1917, Europe was immersed in the 1st World War. Pablo Picasso was 36 years old then, but was already a great artist who had started the Cubism revolution.